Saturday, February 24, 2018


For bodily exercise profiteth little: but godliness is profitable unto all things, having promise of the life that now is, and of that which is to come.

提摩太前书 4 :8
1 Timothy 4:8

For every one that useth milk is unskilful in the word of righteousness: for he is a babe. But strong meat belongeth to them that are of full age, even those who by reason of use have their senses exercised to discern both good and evil.

希伯来书 5:13-14
Hebrew 5:13-14

Now no chastening for the present seemeth to be joyous, but grievous: nevertheless afterward it yieldeth the peaceable fruit of righteousness unto them which are exercised thereby.

希伯来书 12:11
Hebrew 12:11

Thursday, January 18, 2018

给儿子的话 #4 祷告







马太福音 4:1-11

Thursday, December 28, 2017

给儿子的话 #2 奉献



神所喜爱的奉献 «歌林多後書9:7»
寡妇的奉献 «馬可福音 12:41»
亚伯拉罕献以撒 «創世記 22:1-14»
活祭 «羅馬書 12:1»

Tuesday, December 26, 2017

Renaissance Art - The Last Supper

The Last Supper

Artist : Leonardo da Vinci,  1452-1519
Date : 1495-1498
Medium : fresco-secco
Dimensions : 460x880cm
Current Location : Convent of Santa Maria delle Grazie, Milan, Italy

The work is presumed to have been started around 1495–96 and was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. 

The painting represents the scene of the Last Supper of Jesus with his apostles, as it is told in the Gospel of John.  Leonardo has depicted the consternation that occurred among the Twelve Disciples when Jesus announced that one of them would betray him.

All twelve apostles have different reactions to the news, with various degrees of anger and shock. The apostles are identified from a manuscript (The Notebooks of Leonardo da Vinci p. 232) with their names found in the 19th century.

From left to right, according to the apostles' heads:
Bartholomew1, James2, son of Alphaeus, and Andrew3 form a group of three; all are surprised.
Judas Iscariot4, Peter5, and John6 form another group of three.
Apostle Thomas7, James8 the Greater, and Philip9 are the next group of three.
Matthew10, Jude Thaddeus11, and Simon12 the Zealot are the final group of three.

Judas Iscariot4 is wearing green and blue and is in shadow, looking rather withdrawn and taken aback by the sudden revelation of his plan. He is clutching a small bag, perhaps signifying the silver given to him as payment to betray Jesus, or perhaps a reference to his role within the 12 disciples as treasurer.  He is also tipping over the salt cellar. This may be related to the near-Eastern expression to "betray the salt" meaning to betray one's Master. He is the only person to have his elbow on the table and his head is also horizontally the lowest of anyone in the painting.

Peterlooks angry and is holding a knife pointed away from Christ, perhaps foreshadowing his violent reaction in Gethsemane during Jesus' arrest.

The youngest apostle, John6 , appears to swoon.

Thomas7 is clearly upset; the raised index finger foreshadows his incredulity of the Resurrection.

James8 the Greater looks stunned, with his arms in the air. Meanwhile, Philip9 appears to be requesting some explanation.

Both Jude Thaddeus11 and Matthew10 are turned toward Simon12 , perhaps to find out if he has any answer to their initial questions.

Renaissance Art - The Last Supper ( Tapestry )

Probably the world’s most recognizable painting, the Last Supper has been copied, referenced, or reproduced as painting, mosaic, embroidery, tapestry etc.

The tapestry found in the Vatican Museum was made in a Flemish workshop ( a region occupied today by parts of Netherlands, Belgium and France ).  It was presented by King of France, François I to Pope Clement VII in 1532.

It is now displayed at Room VIII of the building of Pinacoteca, Vatican Museum.

Monday, December 25, 2017

Renaissance Art - Judas se pend

Judas Hangs Himself
(Judas se pend)

Artist : James Tissot, French, 1836-1902
Medium : Opaque watercolor over graphite on gray wove paper
Place Made : France
Dates : 1886-1894
Dimension : 11 7/8 x 6 1/8 in. (30.2 x 15.6 cm)
Location : Brooklyn Museum, NY, USA

Matthew 27
1 Early in the morning, all the chief priests and the elders of the people made their plans how to have Jesus executed. 2 So they bound him, led him away and handed him over to Pilate the governor.

3 When Judas, who had betrayed him, saw that Jesus was condemned, he was seized with remorse and returned the thirty pieces of silver to the chief priests and the elders. 4 “I have sinned,” he said, “for I have betrayed innocent blood.”

   “What is that to us?” they replied. “That’s your responsibility.”

 5 So Judas threw the money into the temple and left. Then he went away and hanged himself.

 6 The chief priests picked up the coins and said, “It is against the law to put this into the treasury, since it is blood money.” 7 So they decided to use the money to buy the potter’s field as a burial place for foreigners. 8 That is why it has been called the Field of Blood to this day. 9 Then what was spoken by Jeremiah the prophet was fulfilled: “They took the thirty pieces of silver, the price set on him by the people of Israel, 10 and they used them to buy the potter’s field, as the Lord commanded me.”

Renaissance Art - The Sacrifice of Abraham

The Sacrifice of Abraham

Artist : Rembrandt van Rijn. 1606-1669
Date : 1636
Material : canvas
Technique : oil
Dimensions : 195x132 cm
Current Location : Alte Pinakothek, Munich, Germany

Note :
This painting was started by one of Rembrandt’s students. 
At some point, Rembrandt took over and finished it.
The composition and figures are similar to the  1635’s The Sacrifice of Isaac.